Hence why we’ve decided to showcase what we believe to be the most dynamic discographies of all time in this recurring series.
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Hope the same is true for you.Editor’s Note: From Albumism’s inception back in 2016, we’ve remained unabashedly and unequivocally passionate about our mission of celebrating the world's love affairs with albums past, present and future.īut while our devotion to the album as an art form has remained steadfast, as evidenced by our deepening repository of individual album tributes and reviews, we’ve admittedly seldom taken the opportunity to explicitly articulate our reverence for the virtues of artists’ complete album repertoires as a whole.
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My plan to get through this “awkward voice” thing that’s happening is just to blast through it.ĭay to day, in addition to writing and making beats, I’m rehabbing my foot (it’s great to be bipedal again), looking for a new D&D game, watching The Great British Baking Show with my family, reading short stories in Fantasy & Science Fiction and Asimov’s, training up Leia the puppy, and dealing with the logistics of my kid changing schools (more on that later).įeeling grateful to be alive, walking around on two feet, having most of my family in good health, and many other fortunate events. I’ll get my blogging groove back, and I’ll keep writing about pretty much the same things (I’ve got posts planned about the health benefits of berries, a long-term experiment with l-tyrosine, my brief experiment with Google AdSense ads, lessons I’ve learned in my mid-forties, and a bunch of other topics). Ultimately that’s part of what a personal blog is–a record of a changing person with evolving ideas (including the awkward bits). But I’m not going to edit anything or take it down. It’s frustrating to feel irritated with your past work, especially when it’s up there for all the world to see. Other times they seem impersonal, or too know-it-all, or so abstract as to be useless and/or boring for the reader. Sometimes when I read older posts, they hold up. I’ve also been putting in more studio time, both with Mark Musselman (the other half of Momu) and Spesh (my business partner in Loöq Records and the other half of Jondi & Spesh).īut another reason I’ve been blogging less is a feeling of dissatisfaction with my blogging voice. Selling my second story gave me a jolt of motivation–I’m trying to level up.
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I’ve been posting less often on this blog lately, mostly because I’ve been writing short stories, including an eleven-thousand-word novelet “The Verdant” which I just finished. The result of this vérité style approach, is an ambient, cyclical, synthesizer- heavy soundscape inspired by works of Eno, Reich, Smith, and the city of San Francisco itself.Īvailable on: iTunes | Beatport | Junodownload For this work, I relied less on the computer, and attempted to capture the music of the moment without a lengthy editorial process (if any.) I found myself getting lost in the sound as the machines interacted with each other, and often times, I just hit record and let the sequences run, playing along and hoping for the best.
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It is my soundtrack for ordinary days as viewed through the windows of buses, and experienced on the city’s sidewalks and alleys. In the artist’s words: I’d Rather Be In Space is a collection of improvisational and generative music, performed and recorded in San Francisco in 2016. The result is a transformative album with a timeless feel. Piano, guitar and field recordings were also utilized.
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The sound palate is rooted in the classic instruments of analogue sound synthesis – Korg, Juno, Moog, Prophet. Falling into the broad categories of electronic and ambient, the album transcends both. “I’d Rather Be In Space” is a stunning collection of instrumental music from accomplished composer Marshall Watson.
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You can download a different track from the album here if you join the Loöq mailing list (about one email per month). Listen to “Attack of the Little Straw” from I’d Rather Be In Space to get a taste. While I don’t announce every Loöq Records release on this blog, Marshall Watson’s new ambient/analog electronica album is exceptional.